| Project/Area Number |
19KK0064
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| Research Category |
Fund for the Promotion of Joint International Research (Fostering Joint International Research (B))
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| Allocation Type | Multi-year Fund |
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| Review Section |
Medium-sized Section 10:Psychology and related fields
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| Research Institution | Keio University |
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Principal Investigator |
サベジ パトリック 慶應義塾大学, 環境情報学部(藤沢), 准教授 (50821790)
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| Co-Investigator(Kenkyū-buntansha) |
味見 純 東京藝術大学, 音楽学部, 准教授 (00854184)
藤井 進也 慶應義塾大学, 環境情報学部(藤沢), 准教授 (40773817)
徳井 直生 慶應義塾大学, 政策・メディア研究科(藤沢), 准教授 (70446277)
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| Project Period (FY) |
2019-10-07 – 2025-03-31
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| Project Status |
Granted (Fiscal Year 2022)
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| Budget Amount *help |
¥18,330,000 (Direct Cost: ¥14,100,000、Indirect Cost: ¥4,230,000)
Fiscal Year 2024: ¥2,470,000 (Direct Cost: ¥1,900,000、Indirect Cost: ¥570,000)
Fiscal Year 2023: ¥520,000 (Direct Cost: ¥400,000、Indirect Cost: ¥120,000)
Fiscal Year 2022: ¥2,470,000 (Direct Cost: ¥1,900,000、Indirect Cost: ¥570,000)
Fiscal Year 2021: ¥5,720,000 (Direct Cost: ¥4,400,000、Indirect Cost: ¥1,320,000)
Fiscal Year 2020: ¥5,200,000 (Direct Cost: ¥4,000,000、Indirect Cost: ¥1,200,000)
Fiscal Year 2019: ¥1,950,000 (Direct Cost: ¥1,500,000、Indirect Cost: ¥450,000)
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| Keywords | music / cognition / cross-cultural / evolution / experimental |
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| Outline of Research at the Start |
Music is a human universal, but there remains little data on cross-cultural musical variation. We will perform a series of experiments investigating global diversity in perception and production of musical 1) rhythm, 2) melody, 3) harmony, 4) language, 5) creativity, and 6) cooperation. In total we will conduct experiments with thousands of musicians and non-musicians from over a dozen countries around the world. Our findings will have implications for understanding the evolution of music and its place in society, including for composers, instrument manufacturers, copyright legislators, etc.
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| Outline of Annual Research Achievements |
In FY2022 we published 6 articles in peer-reviewed journals (PLOS ONE; Nature Reviews Neuroscience), conference proceedings (International Workshop on Folk Music Analysis; Joint Conference on Language Evolution) and edited volumes (Oxford Handbook of Music Corpus Studies), bringing our total published outputs to 15. We also had two Registered Reports Accepted In Principle at Peer Community In Registered Reports, two book chapters accepted, and have several preprints under review, and presented research at various international conferences, particularly the International Council for Traditional Music World Conference, where we used KAKENHI funding to enable several of our workshop coauthors to travel to present our collaborative research together. Overall we have had good success in pivoting from our initial plans to achieve high-impact research despite the challenges of the pandemic.
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| Current Status of Research Progress |
Current Status of Research Progress
2: Research has progressed on the whole more than it was originally planned.
Reason
We have continued to successfully pivot from our original plans of in-person symposia and experiments to using Zoom, online experiments, and other virtual workarounds to implement our research plans despite the ongoing impact of COVID-19. We have also begun returning to in-person meetings, experiments, and travel to international conferences.
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| Strategy for Future Research Activity |
For the 2023 financial year, we have several major manuscripts currently in review or revision comparing global variation in music perception (Jacoby et al.,
, PsyArXiv) and production (Passmore et al. a/b, PsyArXiv; Ozaki et al., Accepted In Principle, Peer Community In Registered Reports), which we will work to publish while incorporating reviewer feedback.
Preliminary results will be presented at the International Council for Traditional Music (July 2023) and International Conference on Music Perception and Cognition (August 2023). We will continue to hold meetings between the investigators/collaborators (mostly online plus in person at the conferences mentioned above).
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