| Project/Area Number |
20500872
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
Sociology/History of science and technology
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| Research Institution | University of Toyama |
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Principal Investigator |
NAKAMURA Takio University of Toyama, 芸術文化学部, 教授 (60198215)
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| Co-Investigator(Kenkyū-buntansha) |
NAGAE Takekazu 富山大学, 芸術文化学部, 准教授 (60443420)
KAWAHARA Masanori 富山大学, 芸術文化学部, 准教授 (30389960)
PELTONEN Junko 富山大学, 芸術文化学部, 助教 (20310493)
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| Project Period (FY) |
2008 – 2010
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| Project Status |
Completed (Fiscal Year 2010)
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| Budget Amount *help |
¥4,810,000 (Direct Cost: ¥3,700,000、Indirect Cost: ¥1,110,000)
Fiscal Year 2010: ¥260,000 (Direct Cost: ¥200,000、Indirect Cost: ¥60,000)
Fiscal Year 2009: ¥390,000 (Direct Cost: ¥300,000、Indirect Cost: ¥90,000)
Fiscal Year 2008: ¥4,160,000 (Direct Cost: ¥3,200,000、Indirect Cost: ¥960,000)
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| Keywords | 野鍛冶 / 鍛冶技術 / 焼戻し / 止め焼き / 経験 / 勘 / 働態観察 / 身体技法 / 止め焼き法 / 硬度 / 形態と機能 / 泊鉈 / 作業場の環境 / 熱処理(焼戻し) / 製作工程 / 経験則的鍛冶技術 / 年季奉公 / 鉈の製作工程 / 鉈の形体と機能 |
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| Research Abstract |
The blacksmithing techniques of general blacksmiths have been said to be the result of "art of intuition." The blacksmiths learned the technique by repetition of the act of blacksmithing and the accumulation of its results, comparatively acquiring the relationship between the act and the results, and the rules between them. Through these experiences they mastered the guidelines needed for the their blacksmithing. Furthermore, a high-speed-camera-filming of a user working the Tomari Hatchet revealed that the user is expressing the movement of his body, i.e., the image of the body technique, that is sliding the Tomari Hatchet by taking the advantage of its curved, long blade to cut an object.
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