Metaphor of seal and imprint : image and visuality in the Western Middle Ages
Project/Area Number |
20520083
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Research Category |
Grant-in-Aid for Scientific Research (C)
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Allocation Type | Single-year Grants |
Section | 一般 |
Research Field |
Aesthetics/Art history
|
Research Institution | Nagoya University |
Principal Investigator |
KIMATA Motokazu Nagoya University, 大学院・文学研究科, 教授 (00195348)
|
Project Period (FY) |
2008 – 2010
|
Project Status |
Completed (Fiscal Year 2010)
|
Budget Amount *help |
¥3,770,000 (Direct Cost: ¥2,900,000、Indirect Cost: ¥870,000)
Fiscal Year 2010: ¥1,170,000 (Direct Cost: ¥900,000、Indirect Cost: ¥270,000)
Fiscal Year 2009: ¥1,300,000 (Direct Cost: ¥1,000,000、Indirect Cost: ¥300,000)
Fiscal Year 2008: ¥1,300,000 (Direct Cost: ¥1,000,000、Indirect Cost: ¥300,000)
|
Keywords | 西洋中世 / キリスト教 / イメージ / 印章 / 聖顔 / 刻印 / 美術 / 視覚性 / 複製技術 / イコン / スコラ学 |
Research Abstract |
We explained the motif of a big gold seal matrix hold by God in a miniature of the Gulbenkian Apocalypse illuminated in England in the second half of the 13th century with reference to the Trinity and the Veronica. And we proposed the possibility to understand the inner vision of the Saint Face formed in each believer according to the model of an imprint produced by a seal impression on wax tablet, based on the some exgetical texts on the Psalm 4:7 written by pre-scholastics such as Peter Lombard and Gerhoh of Reichersberg.
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Report
(4 results)
Research Products
(14 results)