| Project/Area Number |
20520087
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
Aesthetics/Art history
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| Research Institution | Kanazawa College of Art |
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Principal Investigator |
YASUI Ayumi Kanazawa College of Art, 美術工芸学部, 教授 (30275086)
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| Co-Investigator(Kenkyū-buntansha) |
KAMITANI Yoshio 金沢美術工芸大学, 美術工芸学部, 教授 (10264681)
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| Project Period (FY) |
2008 – 2010
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| Project Status |
Completed (Fiscal Year 2010)
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| Budget Amount *help |
¥3,510,000 (Direct Cost: ¥2,700,000、Indirect Cost: ¥810,000)
Fiscal Year 2010: ¥780,000 (Direct Cost: ¥600,000、Indirect Cost: ¥180,000)
Fiscal Year 2009: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
Fiscal Year 2008: ¥1,820,000 (Direct Cost: ¥1,400,000、Indirect Cost: ¥420,000)
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| Keywords | Abraham Bosse / Jacques Callot / エッチング / 技法 / 版画 / 17世紀 / 版画技法 / アプラアム・ボス / ジャック・カロ / etching / technique / アブラアム・ボス / 17世紀版画 |
|---|
| Research Abstract |
Abraham Bosse's treatise, published in 1645, is the first comprehensive manual book of intaglio print. It has been said that Bosse inherited Jacques Callot's innovative etching technique. While the graphic technique is commonly investigated by the impressions, our study that focuses on material itself is a new approach to it. We observed the original copperplates by a digital microscope and reconstructed the ground after the recipes in the treatise. The result shows more clearly the process of the execution by Bosse and Callot.
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