The critical reception of Western aesthetics and the construction of systematic aesthetics from a Japanese point of view by Yoshinori Onishi
Project/Area Number |
20520090
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Research Category |
Grant-in-Aid for Scientific Research (C)
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Allocation Type | Single-year Grants |
Section | 一般 |
Research Field |
Aesthetics/Art history
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Research Institution | Keio University |
Principal Investigator |
OISHI Masashi Keio University, 文学部, 教授 (60223723)
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Project Period (FY) |
2008 – 2010
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Project Status |
Completed (Fiscal Year 2010)
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Budget Amount *help |
¥2,340,000 (Direct Cost: ¥1,800,000、Indirect Cost: ¥540,000)
Fiscal Year 2010: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2009: ¥780,000 (Direct Cost: ¥600,000、Indirect Cost: ¥180,000)
Fiscal Year 2008: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
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Keywords | 西洋美学 / 日本美学 / 芸術学 / 比較思想 / 自然観 / 芸術精神 / 感情移入 / ロマン主義 / 美学 / 美的範疇 / 自然感情 / あはれ / 幽玄 / さび / 美学体系 / 純粋感情 / 超越論的美学 |
Research Abstract |
The development of aesthetic study by Yoshinori Onishi(1888-1959) is divided into the following three stages : the critical reception of Western aesthetics, the theorization of Japanese aesthetic consciousness, and the construction of systematic aesthetics which integrates Western and Eastern aesthetic consciousness. I have strictly verified his interpretation and assertion in comparison with original text which he referred to. And by putting his theory in the historical development of the transcendental aesthetics including the empathy theory and the phenomenology of aesthetic consciousness, I have demonstrated the historical position and the contemporary significance of Onishi's aesthetics.
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Report
(4 results)
Research Products
(13 results)
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[Journal Article]2009
Author(s)
Masashi Oishi(共著)
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Journal Title
Japanese Aesthetic Consciousness and the Logic of <Field> : An explanation of <mono-no-aware> [sympathy with things] through the dynamic psychic structure of relation and reversal. In : XVIIth International Congress of Aesthetics, Congress Book II : (Selected Papers, edited by Jale N.Erzen)(SANART(Association for Aesthetics and Visual Culture), Turkey)
Related Report
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