| Project/Area Number |
20520116
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
Study of the arts/History of the arts/Arts in general
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| Research Institution | Tokyo National University of Fine Arts and Music |
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Principal Investigator |
KITAGO Satoru Tokyo National University of Fine Arts and Music, 美術学部, 教授 (70242394)
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| Co-Investigator(Kenkyū-buntansha) |
KIDO Osamu 東京芸術大学, 美術学部, 教授 (10126302)
HASHIMOTO Akio 東京芸術大学, 美術学部, 教授 (10237927)
INOUE Youiti 独立行政法人国立文化財機構, 東京国立博物館事業部, 事業企画課長 (60176451)
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| Project Period (FY) |
2008 – 2010
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| Project Status |
Completed (Fiscal Year 2010)
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| Budget Amount *help |
¥4,420,000 (Direct Cost: ¥3,400,000、Indirect Cost: ¥1,020,000)
Fiscal Year 2010: ¥780,000 (Direct Cost: ¥600,000、Indirect Cost: ¥180,000)
Fiscal Year 2009: ¥2,210,000 (Direct Cost: ¥1,700,000、Indirect Cost: ¥510,000)
Fiscal Year 2008: ¥1,430,000 (Direct Cost: ¥1,100,000、Indirect Cost: ¥330,000)
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| Keywords | 芸術表現 / 立体 / 彫刻 / アナログ / 人間 / デジタルデータ / データ |
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| Research Abstract |
This research sets a goal of achieving the best archiving system with works of art and cultural assets, reflecting the possibility of mutual digital and analogue figurative expression, and searches for the possibility on both sides, and aims at database production as an art archive.
Studied in 3 groups. Research 1 : Research of the possibility of a digital, solid form in sculpture and the figurative expression. Research 2 : Research of figurative expression in each input process by the computer forming system. Research 3 : Application of the resin pattern with the digital output to the bronze casting method. As the overall result, organized 3 exhibitions in the university museum which opened to the public. Exhibition "Ragusa and Rokuzan : Sculpture of Meiji Era", "Carvings and sculptures at the Meiji era" symposium, and "Wisdom that began to be spun from the archive" symposium. Moreover, it has been widely introduced in newspapers, on television news, etc. Also, the resulting works were installed permanently in Tokyo National Museum and Tokyo University of the Arts. Representing successful examples of the archive.
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