| Project/Area Number |
20520120
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
Study of the arts/History of the arts/Arts in general
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| Research Institution | Kyoto University of Education |
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Principal Investigator |
TANAKA Takako Kyoto University of Education, 教育学部, 教授 (70346112)
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| Co-Investigator(Kenkyū-buntansha) |
UMEDA Hideharu 沖縄県立芸術大学, 音楽学部, 准教授 (40316203)
KANEKO Atuko 名古屋芸術大学, 音楽学部, 教授 (90224592)
OKIHANA Akira 京都教育大学, 教育学部, 教授 (80115972)
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| Co-Investigator(Renkei-kenkyūsha) |
ODAKA Akiko 東京芸術大学, 音楽学部, 講師 (00397019)
TANAKA Kenji 茨城大学, 教育学部, 教授 (10274565)
TSUKAHARA Yasuko 東京芸術大学, 音楽学部, 教授 (60202181)
TSUTSUI Haruka 同志社女子大学, 職員
TERADA Yoshitaka 国立民族学博物館, 准教授 (00290924)
YOKOI Masako 国立音楽大学, 音楽学部, 准教授 (00383688)
OKADA Emi 東京芸術大学, 音楽学部・教育研究, 助手 (60584216)
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| Project Period (FY) |
2008 – 2010
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| Project Status |
Completed (Fiscal Year 2010)
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| Budget Amount *help |
¥4,680,000 (Direct Cost: ¥3,600,000、Indirect Cost: ¥1,080,000)
Fiscal Year 2010: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2009: ¥1,560,000 (Direct Cost: ¥1,200,000、Indirect Cost: ¥360,000)
Fiscal Year 2008: ¥2,470,000 (Direct Cost: ¥1,900,000、Indirect Cost: ¥570,000)
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| Keywords | 楽器 / わざ学 / グローバリゼーション / 音楽学 / 大正琴 / ものづくり / 民族音楽学 / 文化変容 / アジア |
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| Research Abstract |
Focusing on design and specific modification processes, looked at and analyzed from various viewpoints, investigation into construction techniques involving musical instruments confirms and documents in concrete terms the varied phenomena of transformation, diffusion and the growing conflict in between Western and non-Western music and between traditional culture and modernization. In the main, the research reports on (1) the Japanese "Taisho-goto" (a button-manipulated zither invented in 1912) and variants of the like in Asian, (2) Indian reed organs and variants of the like, (3) the current status of academic study and construction techniques of musical instruments in Europe, and (4) the history of east-west exchange concerning Indian instruments of the late 19th century.
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