Pictorialism and the Crisis of Modern Visuality
| Project/Area Number |
20520143
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
Study of the arts/History of the arts/Arts in general
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| Research Institution | Osaka University of Arts |
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Principal Investigator |
INUBUSE Masakazu Osaka University of Arts, 芸術学部, 教授 (70340594)
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| Project Period (FY) |
2008 – 2010
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| Project Status |
Completed (Fiscal Year 2010)
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| Budget Amount *help |
¥4,160,000 (Direct Cost: ¥3,200,000、Indirect Cost: ¥960,000)
Fiscal Year 2010: ¥780,000 (Direct Cost: ¥600,000、Indirect Cost: ¥180,000)
Fiscal Year 2009: ¥1,690,000 (Direct Cost: ¥1,300,000、Indirect Cost: ¥390,000)
Fiscal Year 2008: ¥1,690,000 (Direct Cost: ¥1,300,000、Indirect Cost: ¥390,000)
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| Keywords | ピクトリアリズム / 視覚体制 / 視覚論 / カメラ / 身体 / モダニズム / 芸術諸学 |
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| Research Abstract |
Reexamination of pictorialism shows that it was a multi-layered movement composed of various strands. Certainly, it cannot be denied that one important strand was deeply connected with Alfred Stieglitz's photographic act based on straight photography, but our research project has successfully proved that the movement implied alternative strands or possibilities, F.H. Day's photographic act, for instance. The analysis of his image-making poetics urges us to reconsider other pictorialists' photographic acts afresh. More importantly, it has also opened up new vistas for research into the crisis of modern visuality.
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Report
(4 results)
Research Products
(7 results)
