| Project/Area Number |
20520207
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
Literature in English
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| Research Institution | University of Tsukuba |
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Principal Investigator |
SANO Takaya University of Tsukuba, 大学院・人文社会科学研究科, 教授 (90196296)
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| Project Period (FY) |
2008 – 2010
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| Project Status |
Completed (Fiscal Year 2010)
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| Budget Amount *help |
¥2,210,000 (Direct Cost: ¥1,700,000、Indirect Cost: ¥510,000)
Fiscal Year 2010: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2009: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2008: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
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| Keywords | エリザベス朝 / アングリカン・チャーチ体制 / プロテスタント / カトリック的偶像崇拝 / 聖史劇 / George Peele / Anthony Munday / Thomas Nashe / ピューリタン / マーティン・マープレリット論争 / ハーヴェイ・ナッシュ論争 / 商業演劇興行 / Summer's Last Will and Testament / カトリック / Huntingdon plays / David and Bethsabe / Geore Peele |
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| Research Abstract |
This study explores the influences the Anglican Church exerted on the Elizabethan drama from the late1580s to the early1590s. It also investigates how the University Wits (in particular, George Peele, Anthony Munday, and Thomas Nashe who all seem to have many connections in the Anglican Church) generated and developed the Elizabethan drama engaging in serious negotiations with the Anglican Church through analysis of their dramatic texts and prose works. This study is conducted as part of a broader research project of mine which seeks to describe a wide variety of cultural activities of the University Wits.
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