A Comparative Study of Contemporary American Performance Cultures after 9.11.
| Project/Area Number |
20520212
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
Literature in English
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| Research Institution | The University of Tokyo |
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Principal Investigator |
UCHINO Tadshi (UCHINO Tadashi) 東京大学, 大学院・総合文化研究科, 教授 (40168711)
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| Project Period (FY) |
2008 – 2012
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| Project Status |
Completed (Fiscal Year 2012)
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| Budget Amount *help |
¥4,550,000 (Direct Cost: ¥3,500,000、Indirect Cost: ¥1,050,000)
Fiscal Year 2012: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
Fiscal Year 2011: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
Fiscal Year 2010: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
Fiscal Year 2009: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
Fiscal Year 2008: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
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| Keywords | <9・11> / アメリカ演劇 / アメリカ研究 / カルチュラル・スタディーズ / パフォーマンス研究 / 比較演劇 / 比較演劇学 / 現代アメリカ演劇 / 現代演劇 / 舞台芸術 / パフォーマンス / 9・11 / テロリズムと演劇 / 共同体と演劇 / 国家と演劇 / 演劇研究 / 〈9・11〉 / カルチュラルスタディーズ |
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| Research Abstract |
The research made it possible to draw a comprehensive cognitive map of performance cultures in the United States of America after 9.11. In more concrete terms, the research was targeted at 1) Regional theatres in major cities of the US. 2) Commercial theatre practices (Broadway and Off Broadway) and experimental performance cultures in New York City. 3) The reception and perception of contemporary American performance cultures among continental European festival circuits. In addition, I made some academic considerations toward ever-increasing degree of globalization, especially paying much attention to a comparative study of contemporary Japanese performance cultures and those in the US.
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Report
(7 results)
Research Products
(44 results)
