| Project/Area Number |
20520279
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
European literature (English literature excluded)
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| Research Institution | Tokyo Gakugei University |
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Principal Investigator |
NAKAJIMA Hiroaki Tokyo Gakugei University, 教育学部, 教授 (50217725)
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| Project Period (FY) |
2008 – 2010
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| Project Status |
Completed (Fiscal Year 2010)
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| Budget Amount *help |
¥2,080,000 (Direct Cost: ¥1,600,000、Indirect Cost: ¥480,000)
Fiscal Year 2010: ¥520,000 (Direct Cost: ¥400,000、Indirect Cost: ¥120,000)
Fiscal Year 2009: ¥780,000 (Direct Cost: ¥600,000、Indirect Cost: ¥180,000)
Fiscal Year 2008: ¥780,000 (Direct Cost: ¥600,000、Indirect Cost: ¥180,000)
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| Keywords | 独文学 / ブレヒト / 演劇 / ドイツ演劇 / 技術革新およびメディア・テクノロジー / パフォーマンス研究 / 方法としての演技 / パフォーマンス的転回 / 芸術コミュニケーション |
|---|
| Research Abstract |
Technical Innovations at the end of the 19^<th> and the beginning of 20^<th> century led to the performative turn in the artistic communication. Brecht, influenced by Director Piscator and Composer Weill, paid more attention to the interactive aspect in Theatre, and developed so-called Lehrstucke with his co-workers Hauptmann and Eisler, in which the social attitude of human beings are displayed, but he didn't expect that a particular attitude should be accepted and performed.
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