A fundamental study on the Chinese traditional drama spread to Japan in the late Edo period
Project/Area Number |
20520324
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Research Category |
Grant-in-Aid for Scientific Research (C)
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Allocation Type | Single-year Grants |
Section | 一般 |
Research Field |
Literatures/Literary theories in other countries and areas
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Research Institution | Kyoto University |
Principal Investigator |
AKAMATSU Norihiko Kyoto University, 高等教育研究開発推進センター, 教授 (60175784)
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Project Period (FY) |
2008 – 2010
|
Project Status |
Completed (Fiscal Year 2010)
|
Budget Amount *help |
¥4,420,000 (Direct Cost: ¥3,400,000、Indirect Cost: ¥1,020,000)
Fiscal Year 2010: ¥1,170,000 (Direct Cost: ¥900,000、Indirect Cost: ¥270,000)
Fiscal Year 2009: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
Fiscal Year 2008: ¥2,340,000 (Direct Cost: ¥1,800,000、Indirect Cost: ¥540,000)
|
Keywords | 中国伝統演劇 / 長崎 / 明清楽 / 乱弾戯 / 崑曲 / 江戸末期 |
Research Abstract |
This study clarified that Chinese theater was played in Nagasaki in the late Edo period and that its score was contained in a then popular Chinese music score called Minshingaku, and also shed light on what kind of positions these works have in the history of traditional Chinese theater. As a result of studying several materials, I made clear that the names of as many as nearly 40 kinds of theater works were recorded, many of them were called Luantanxi in the history of Chinese theater and that Kunqu was also included, however few.
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Report
(4 results)
Research Products
(8 results)
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[Book] 能楽と崑曲2009
Author(s)
赤松紀彦、小松謙、山崎福之
Total Pages
102
Publisher
汲古書店
Related Report
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