Historical and Interdisciplinary Study of CGI expressions in the Contemporary Spectacle Films
| Project/Area Number |
20720037
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| Research Category |
Grant-in-Aid for Young Scientists (B)
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| Allocation Type | Single-year Grants |
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| Research Field |
Study of the arts/History of the arts/Arts in general
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| Research Institution | Niigata University |
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Principal Investigator |
ISHIDA Minori 新潟大学, 人文社会・教育科学系, 准教授 (70425007)
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| Project Period (FY) |
2008 – 2011
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| Project Status |
Completed (Fiscal Year 2011)
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| Budget Amount *help |
¥2,210,000 (Direct Cost: ¥1,700,000、Indirect Cost: ¥510,000)
Fiscal Year 2011: ¥520,000 (Direct Cost: ¥400,000、Indirect Cost: ¥120,000)
Fiscal Year 2010: ¥520,000 (Direct Cost: ¥400,000、Indirect Cost: ¥120,000)
Fiscal Year 2009: ¥520,000 (Direct Cost: ¥400,000、Indirect Cost: ¥120,000)
Fiscal Year 2008: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
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| Keywords | CGI / アニメーション / 映画 / 映画史 / 美学 / 表象 / 身体 / 声 / 複製技術 / 人体表象 |
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| Research Abstract |
The purpose of this study is to examine the impact of CGI on the spectacle films in the early 21th century, focusing on Motion-capture which fuses the photorealistic images with CGI. The following results were obtained. 1. The origin of Motion-capture is found in the 1880s. 2. CGI is not a strange technology to the narrative cinema, but it is constituent of its mise-en-scene. 3. The narrative cinema based on the photorealistic images is only one aspect of moving pictures. A further direction of this study will be to investigate the representation of the actors wearing CGI and its impact on the narrative.
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Report
(4 results)
Research Products
(10 results)
