| Project/Area Number |
21320042
|
|---|
| Research Category |
Grant-in-Aid for Scientific Research (B)
|
| Allocation Type | Single-year Grants |
|---|
| Section | 一般 |
|---|
| Research Field |
Study of the arts/History of the arts/Arts in general
|
|---|
| Research Institution | Sophia University |
|---|
Principal Investigator |
|
|---|
| Co-Investigator(Kenkyū-buntansha) |
YONEKURA Michio 上智大学, 国際教養学部, 教授 (70099927)
KOBAYASHI Hiromitu 上智大学, 国際教養学部, 教授 (40195805)
HIRASAWA Caroline 上智大学, 国際教養学部, 准教授 (10535454)
MATSUBARA Noriko 上智大学, 外国語学部, 准教授 (10338428)
|
|---|
| Project Period (FY) |
2009 – 2011
|
| Project Status |
Completed (Fiscal Year 2011)
|
| Budget Amount *help |
¥18,070,000 (Direct Cost: ¥13,900,000、Indirect Cost: ¥4,170,000)
Fiscal Year 2011: ¥5,460,000 (Direct Cost: ¥4,200,000、Indirect Cost: ¥1,260,000)
Fiscal Year 2010: ¥3,380,000 (Direct Cost: ¥2,600,000、Indirect Cost: ¥780,000)
Fiscal Year 2009: ¥9,230,000 (Direct Cost: ¥7,100,000、Indirect Cost: ¥2,130,000)
|
|---|
| Keywords | 比較美術史 / 観衆 / 受容美学 / 絵解き / 鑑賞体験 / 受容論 / 場 / パフォーマティヴィティ / 媒介 / シュルレアリスム / 仏教絵画 / アンフォルム / 媒介者 |
|---|
| Research Abstract |
During the three year-period of this research project, we held 12 international workshops and one symposium all of which were connected by the central theme of "audience theory." We invited scholars from various countries specializing in different historical periods and genres and engaged in extensive comparative investigations in order to re-vision art history from the audience-oriented perspective. In the process, a variety of key issues emerged around the issue of the audience : the difference between individual and group audience ; how the relationship between the image and the audience is conditioned and defined by the nature of the "site" of encounter(ritualistic, ceremonial, or contemplative)?; what kind of role does the mediator/agent(artist her/himself, "e-toki" performer, art historian, curator) play?; how does the secondary means of presentation/distribution(such as the issue of "remake" or photographic reproduction) influence the reception of a particular work/image? and so on. This set of issues which are often historically specific have become visible during the three-year investigation and analyzed from the methodological perspective ; the outcome of these analyses has already been reflected in the articles and presentations of each member of this project and will be further reflected in the already-scheduled scholarly output. In addition, it is important that the international network of scholars has been nurtured through this three-year project, which can function, is already partially functioning, as a foundation for a productive exchange across national boundaries.
|
