Interactions between auditory representations of musical pitch and pitch coding
Project/Area Number |
21500256
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Research Category |
Grant-in-Aid for Scientific Research (C)
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Allocation Type | Single-year Grants |
Section | 一般 |
Research Field |
Cognitive science
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Research Institution | Niigata University |
Principal Investigator |
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Project Period (FY) |
2009 – 2011
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Project Status |
Completed (Fiscal Year 2011)
|
Budget Amount *help |
¥4,550,000 (Direct Cost: ¥3,500,000、Indirect Cost: ¥1,050,000)
Fiscal Year 2011: ¥780,000 (Direct Cost: ¥600,000、Indirect Cost: ¥180,000)
Fiscal Year 2010: ¥1,040,000 (Direct Cost: ¥800,000、Indirect Cost: ¥240,000)
Fiscal Year 2009: ¥2,730,000 (Direct Cost: ¥2,100,000、Indirect Cost: ¥630,000)
|
Keywords | 絶対音感 / 音楽的音高 / 認知的干渉 / Garner干渉課題 / 感覚次元の独立性と統合性 / 相対音感 / 言語的符号化 / ストループ効果 / 反応時間 |
Research Abstract |
Experiments on cognitive interference were carried out using vocal stimuli sung with syllables congruent and incongruent with their pitches. Performance of the musical pitch identification task was interfered by incongruent pitch labels. In particular, participants with absolute pitch were influenced by pitch processing when shadowing syllables and showed a degraded performance in the syllable task. A large-scale test on absolute pitch revealed that prevalence of absolute pitch is much higher than ever believed in Japanese music students.
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Report
(4 results)
Research Products
(5 results)
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[Presentation] The Myths of Absolute Pitch2010
Author(s)
Miyazaki K.
Organizer
Distinguished Lecture Series, Korean Society of Music Perception and Cognition
Place of Presentation
Seoul National University(大韓民国)
Year and Date
2010-10-02
Related Report
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