Contribution of the Art in the ontological conception by Merleau-Ponty
| Project/Area Number |
21520029
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
Philosophy/Ethics
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| Research Institution | Tokyo Denki University |
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Principal Investigator |
HONGO Hitoshi 東京電機大学, 工学部, 教授 (00229246)
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| Project Period (FY) |
2009 – 2011
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| Project Status |
Completed (Fiscal Year 2011)
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| Budget Amount *help |
¥2,470,000 (Direct Cost: ¥1,900,000、Indirect Cost: ¥570,000)
Fiscal Year 2011: ¥780,000 (Direct Cost: ¥600,000、Indirect Cost: ¥180,000)
Fiscal Year 2010: ¥780,000 (Direct Cost: ¥600,000、Indirect Cost: ¥180,000)
Fiscal Year 2009: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
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| Keywords | 現象学 / 芸術 / 絵画 / 存在論 / メルロ=ポンティ / アンリ / 哲学 / 政治 |
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| Research Abstract |
This research deals with french phenomenologist Merleau-Ponty's posthumous manuscripts on "Eye and mind", "The visible and the invisible", and many notes on the book of R. Arnheim(Art psychologist). It makes clear some influences from the other philosophers and art historians to him. And the comparison with Michel Henry's "Seeing the invisible" sheds light on the important role of the Art at the starting place of the ontological conception of Merleau-Ponty.
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Report
(4 results)
Research Products
(13 results)
