The study of Sofonisba Anguissola : Problems of Woman Portraits in the Sixtenth Century Italy
Project/Area Number |
21520102
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Research Category |
Grant-in-Aid for Scientific Research (C)
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Allocation Type | Single-year Grants |
Section | 一般 |
Research Field |
Aesthetics/Art history
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Research Institution | Hyogo University of Teacher Education |
Principal Investigator |
KITAMURA Akari 兵庫教育大学, 大学院・学校教育研究科, 教授 (90294264)
|
Project Period (FY) |
2009 – 2012
|
Project Status |
Completed (Fiscal Year 2012)
|
Budget Amount *help |
¥2,600,000 (Direct Cost: ¥2,000,000、Indirect Cost: ¥600,000)
Fiscal Year 2012: ¥520,000 (Direct Cost: ¥400,000、Indirect Cost: ¥120,000)
Fiscal Year 2011: ¥520,000 (Direct Cost: ¥400,000、Indirect Cost: ¥120,000)
Fiscal Year 2010: ¥1,040,000 (Direct Cost: ¥800,000、Indirect Cost: ¥240,000)
Fiscal Year 2009: ¥520,000 (Direct Cost: ¥400,000、Indirect Cost: ¥120,000)
|
Keywords | 肖像画 / 女性 / 美徳 / 女性画家 / イタリア / 16世紀 / 美術史 / アングィッソーラ / 絵画芸術 / ヴィルトゥオーザ |
Research Abstract |
This study focused on the iconological meaning of the self-portraits by Sofonisba Anguissola, the Italian learned noble woman in the second half of the 16th century. Not only Conditioned by the gender but also deeply influenced by the humanism culture of the era, her sele-images were represented as like Marcia the Roman virgin painter and as Lara,the Roman goddess of the silence, and also as the allegorical figure that symbolize the art of silence, i.e. the art of painting.
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Report
(5 results)
Research Products
(5 results)