| Project/Area Number |
21520111
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
Aesthetics/Art history
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| Research Institution | Sagami Women's University |
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Principal Investigator |
MINAMI Asuka 相模女子大学, 学芸学部, 教授 (20329212)
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| Project Period (FY) |
2009 – 2011
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| Project Status |
Completed (Fiscal Year 2011)
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| Budget Amount *help |
¥3,510,000 (Direct Cost: ¥2,700,000、Indirect Cost: ¥810,000)
Fiscal Year 2011: ¥780,000 (Direct Cost: ¥600,000、Indirect Cost: ¥180,000)
Fiscal Year 2010: ¥1,300,000 (Direct Cost: ¥1,000,000、Indirect Cost: ¥300,000)
Fiscal Year 2009: ¥1,430,000 (Direct Cost: ¥1,100,000、Indirect Cost: ¥330,000)
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| Keywords | トレッサン / 美術批評 / ジャポニスム / 日本美術 / フランス / 鐔 / 水墨画 / ミュンスターベルク / ジャポニズム / 中国絵画 / 日本美術研究 / 20世紀初頭 / やまと絵 / コレクター / 極東美術 / ジョルジュ・ド・トレッサン / 日本美術・工芸 / 書簡 / 鍔 |
|---|
| Research Abstract |
A study of Georges Tressan's life(1877-1914), work and research methods as an historian of Japanese art can be undertaken on the basis of the recent discovery of his papers and art objects. We now understand, for example, that he attached importance to Yamato-e, a genre which was ignored in the West, following recent criticism written by several Japanese specialists. In addition, an analysis of his work resources such as documents and a network of informants, allows us to visualize more clearly the milieu of European japanologists and historians of Japanese art in the period just before WWI.
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