| Project/Area Number |
21520130
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
Study of the arts/History of the arts/Arts in general
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| Research Institution | 東京藝術大学 (2011)
Tokyo National University of Fine Arts and Music (2009-2010) |
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Principal Investigator |
DEGUCHI Takehito 東京藝術大学, 大学院・映像研究科, 客員教授 (50463956)
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| Co-Investigator(Kenkyū-buntansha) |
KIRIYAMA Takashi 東京藝術大学, 大学院・映像研究科, 教授 (10234402)
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| Project Period (FY) |
2009 – 2011
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| Project Status |
Completed (Fiscal Year 2011)
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| Budget Amount *help |
¥4,550,000 (Direct Cost: ¥3,500,000、Indirect Cost: ¥1,050,000)
Fiscal Year 2011: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2010: ¥1,040,000 (Direct Cost: ¥800,000、Indirect Cost: ¥240,000)
Fiscal Year 2009: ¥2,860,000 (Direct Cost: ¥2,200,000、Indirect Cost: ¥660,000)
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| Keywords | 日本映画 / アメリカ映画 / フランス映画 / スタイル / 定量分析 |
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| Research Abstract |
This is to display the peculiarity of Akira Kurosawa' s films in the Japanese cinema. It is assayed by analyzing Box Office No1 films shot by shot of Japan, the U. S. and France each year during the National Cinema period. The number and length of shots were calculated to make these data as sampling forms. The same data was made with H. Hawks' films and A. Kurosawa' s films to prove Kurosawa' s peculiarity. And these sampling data of three counties made it possible to articulate the difference of three countries, Japan, the U. S. and France, by analyzing the quality of close-ups and long-takes of five data with H. Hawks and A. Kurosawa.
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