Music and society in Germany during the First World War and its impact on the 1920s
| Project/Area Number |
21520136
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
Study of the arts/History of the arts/Arts in general
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| Research Institution | Kyoto University |
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Principal Investigator |
OKADA Akeo 京都大学, 人文科学研究所, 准教授 (70243136)
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| Project Period (FY) |
2009 – 2011
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| Project Status |
Completed (Fiscal Year 2011)
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| Budget Amount *help |
¥3,380,000 (Direct Cost: ¥2,600,000、Indirect Cost: ¥780,000)
Fiscal Year 2011: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
Fiscal Year 2010: ¥1,040,000 (Direct Cost: ¥800,000、Indirect Cost: ¥240,000)
Fiscal Year 2009: ¥1,430,000 (Direct Cost: ¥1,100,000、Indirect Cost: ¥330,000)
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| Keywords | 音楽学 / 戦争 / 文化 / 第一次大戦 / 社会 / 慈善コンサート / ドイツ / 音楽生活 / 音楽社会学 / パウル・ベッカー / ハインリッヒ・ベッセラー / 音楽教育 / 第一次世界大戦 / 文化プロパガンダ / アドルノ / 慈善音楽会 / 音楽 |
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| Research Abstract |
The aim of this study is to find out the roots of the music aesthetics on the 1920s in the discourses of composers and music critics during the first world war. The focus of this research is the historical relationship between the war and the music culture on the 1920s. As example I have researched the music aesthetics of Paul Bekker, especially"Das deutsche Musikleben", which is published in 1916. According to Bekker the concertmusic has already done its historical role and after the war a new music culture should be created.
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Report
(4 results)
Research Products
(14 results)
