| Project/Area Number |
21520146
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
Study of the arts/History of the arts/Arts in general
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| Research Institution | University of Miyazaki |
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Principal Investigator |
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| Project Period (FY) |
2009 – 2011
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| Project Status |
Completed (Fiscal Year 2011)
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| Budget Amount *help |
¥1,430,000 (Direct Cost: ¥1,100,000、Indirect Cost: ¥330,000)
Fiscal Year 2011: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2010: ¥390,000 (Direct Cost: ¥300,000、Indirect Cost: ¥90,000)
Fiscal Year 2009: ¥390,000 (Direct Cost: ¥300,000、Indirect Cost: ¥90,000)
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| Keywords | 音楽学・日本音楽史・箏曲史 / 箏 / 日本音楽史 / 箏曲史 / 宮廷音楽 / 筑紫箏曲 / 当道箏曲 / 雅楽 / 近現代箏曲 / 箏曲 / 三味線奏法 / 箏曲(そうきょく) / 雅楽(ががく) / 宮廷箏曲(きゅうていそうきょく) / 筑紫箏曲(つくしそうきょく) |
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| Research Abstract |
I abstracted differences and features of playing style among the following types of Sokyoku ; 1. Kyutei-sokyoku, which had a good run in the Heian era after Koto(Chinese harp) and its music came from China in the Nara era. 2. Tsukusi-sokyoku, which was born in the Aduchi-Momoyama era. 3. Todo-sokyoku, which was born in the early Edo era. 4. Gagaku-sokyoku, which was some modified relics of Kyutei-sokyoku in the Meiji era. 5. Kindai-sokyoku, which was born and developed from Todo-sokyoku in the Taisho era. 6. Gendai-sokyoku, which is an extension of Kindai-sokyoku. This study demonstrated that the differences and the features of playing style of them were the important factors which determined the musical characteristics of each Sokyoku. EndFragment
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