| Project/Area Number |
21520263
|
|---|
| Research Category |
Grant-in-Aid for Scientific Research (C)
|
| Allocation Type | Single-year Grants |
|---|
| Section | 一般 |
|---|
| Research Field |
Literature in English
|
|---|
| Research Institution | Kyushu University |
|---|
Principal Investigator |
KOTANI Kojd 九州大学, 大学院・言語文化研究院, 教授 (40127824)
|
|---|
| Project Period (FY) |
2009 – 2011
|
| Project Status |
Completed (Fiscal Year 2011)
|
| Budget Amount *help |
¥1,690,000 (Direct Cost: ¥1,300,000、Indirect Cost: ¥390,000)
Fiscal Year 2011: ¥520,000 (Direct Cost: ¥400,000、Indirect Cost: ¥120,000)
Fiscal Year 2010: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2009: ¥520,000 (Direct Cost: ¥400,000、Indirect Cost: ¥120,000)
|
|---|
| Keywords | 南部文芸復興 / 文化的自画像 / ウィリアム・フォークナー / アレン・テイト / 行け、モーセ / 父たち / ストーンウォール・ジャクソン伝 / 南部の文化的自画像 / 『ジャクソン伝』 / フォークナー / 『行け、モーセ』 / 英米文学 / アメリカ南部文学 / 南部アグレーリアン / ジャクソン伝 / デイヴィス伝 / ウィルバー・J・キャッシュ / 『南部の精神』 |
|---|
| Research Abstract |
I took up Allen Tate' s biography of Stonewall Jackson and William Faulkner' s novel, Go Down, Moses, and investigated what kind of cultural self-image of the American South is depicted in each work. I pointed out that Tate projected his own dream of escaping from the anxiety of modernism onto his characterization of Stonewall Jackson, and that Faulkner, before he knew it, gave to Mollie Beauchamp the potential for rewriting the traditional, stereotypical cultural self-image of the American South.
|
