| Project/Area Number |
21520371
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
Literatures/Literary theories in other countries and areas
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| Research Institution | Nagoya University |
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Principal Investigator |
HOSHINO Yukiyo 名古屋大学, 国際言語文化研究科, 准教授 (00303587)
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| Project Period (FY) |
2009 – 2011
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| Project Status |
Completed (Fiscal Year 2011)
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| Budget Amount *help |
¥2,210,000 (Direct Cost: ¥1,700,000、Indirect Cost: ¥510,000)
Fiscal Year 2011: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2010: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2009: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
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| Keywords | 中国文学 / 舞踊史 / バレエ / 身体 / メディア |
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| Research Abstract |
This study focuses on the influence of classical ballet and modern dance in China during the Sino-Japanese War. By researching important performance reported in the newspapers at that time and reading reviews of these performances, we find many differences between dance in Japanese-occupied areas and that in communist-controlled areas. Therefore, the differences between their aims need to be studied separately according to each supporters' organizations. Moreover, dancers in the 1940s in China on many occasions cooperated with filmmakers, actors, musicians, and cartoonist in either demonstrating against or supporting Japan. These performers often had clear political assertions. Therefore, it can be said that dance in the 1940s in China is the origin of the so-called revolutionary ballet.
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