How has Africa been represented through art?: A study on the power structure between biennales and art museums.
Project/Area Number |
21601009
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Research Category |
Grant-in-Aid for Scientific Research (C)
|
Allocation Type | Single-year Grants |
Section | 一般 |
Research Field |
博物館学
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Research Institution | Rikkyo University (2012) National Museum of Ethnology (2009-2011) |
Principal Investigator |
|
Project Period (FY) |
2009 – 2012
|
Project Status |
Completed (Fiscal Year 2012)
|
Budget Amount *help |
¥4,810,000 (Direct Cost: ¥3,700,000、Indirect Cost: ¥1,110,000)
Fiscal Year 2012: ¥1,560,000 (Direct Cost: ¥1,200,000、Indirect Cost: ¥360,000)
Fiscal Year 2011: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
Fiscal Year 2010: ¥1,040,000 (Direct Cost: ¥800,000、Indirect Cost: ¥240,000)
Fiscal Year 2009: ¥1,300,000 (Direct Cost: ¥1,000,000、Indirect Cost: ¥300,000)
|
Keywords | アフリカ美術 / 表象 / 権力関係 / 美術館 / ビエンナーレ / 展示 / アフリカ / 美術 / 博物館 / 同時代美術 |
Research Abstract |
Contemporary African art has recently marked clearer presence in biennales and art museums both inside and outside Africa, but it seems to lose momentum at this very moment. On the other hand, particularly in Europe, some museums of ethnology are more active to collect to display contemporary African art than art museums. Based on the current environment, we should make more efforts to represent contemporary African art as art in the global artworld through existing places or opportunities such as biennales or exhibitions held in art galleries, while we basically need to reexamine the way to represent contemporary African art to construct a new mechanism and channel of representation, through which we can represent contemporary African art in quite different contexts from the so-called art, including mythology, legends and other local values.
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Report
(5 results)
Research Products
(24 results)
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[Book]2010
Author(s)
川口幸也 小川了
Publisher
明石書店
Related Report
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