Study on the reception of the Japanese Art at the Age of Post-Japonisme in France
| Project/Area Number |
21652007
|
|---|
| Research Category |
Grant-in-Aid for Challenging Exploratory Research
|
| Allocation Type | Single-year Grants |
|---|
| Research Field |
Aesthetics/Art history
|
|---|
| Research Institution | Ibaraki University |
|---|
Principal Investigator |
|
|---|
| Project Period (FY) |
2009 – 2011
|
| Project Status |
Completed (Fiscal Year 2011)
|
| Budget Amount *help |
¥3,300,000 (Direct Cost: ¥3,000,000、Indirect Cost: ¥300,000)
Fiscal Year 2011: ¥1,300,000 (Direct Cost: ¥1,000,000、Indirect Cost: ¥300,000)
Fiscal Year 2010: ¥800,000 (Direct Cost: ¥800,000)
Fiscal Year 2009: ¥1,200,000 (Direct Cost: ¥1,200,000)
|
|---|
| Keywords | ポスト・ジャポニスム / 日本美術研究 / 浮世絵版画 / フランス陶芸 / カリエス派 / ジャポニスム / 浮世絵版画展覧会 / ポストジャポニスム |
|---|
| Research Abstract |
During the 1910s and the 1920s in France, important series of Japanese wood engraving ( ukiyo-e ) exhibitions were held and a lot of academic books on this theme appeared. How can we understand these phenomena which happened after the enthusiasm of Japonisme ? Our philological researches show that those who studied ukiyo-e during this period reevaluated it in basing on what we call the Post-Japonisme esthetics. In a word, they appreciated this art from the classical point of view instead of the Impressionnist one and placed it in the historical context of traditional Chinese ink paintings.
|
Report
(4 results)
Research Products
(11 results)
