A Reinterpretation of Jean-Luc Godard's Work From the Perspective After Histoire(s) du cinema
| Project/Area Number |
21720060
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| Research Category |
Grant-in-Aid for Young Scientists (B)
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| Allocation Type | Single-year Grants |
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| Research Field |
Study of the arts/History of the arts/Arts in general
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| Research Institution | Kansai University |
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Principal Investigator |
HORI Junji 関西大学, 文学部, 准教授 (80388412)
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| Project Period (FY) |
2009 – 2011
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| Project Status |
Completed (Fiscal Year 2011)
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| Budget Amount *help |
¥2,990,000 (Direct Cost: ¥2,300,000、Indirect Cost: ¥690,000)
Fiscal Year 2011: ¥780,000 (Direct Cost: ¥600,000、Indirect Cost: ¥180,000)
Fiscal Year 2010: ¥1,300,000 (Direct Cost: ¥1,000,000、Indirect Cost: ¥300,000)
Fiscal Year 2009: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
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| Keywords | 映画研究 / ゴダール / 表象文化 / 歴史と記憶 / 表象文化論 / 映画と写真 |
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| Research Abstract |
Since his magnum opus Histoire(s) du cinema, Jean-Luc Godard is more and more interested in some of the critical moments of 20th century European history, such as the Resistance, the Holocaust, and the Israeli-Palestinian conflict. This study analyzes his idiosyncratic ways of approaching these histories through the close reading of the films following Histoire(s) du cinema-particularly his latest film entitled Film socialisme-as well as through the reinterpretation of some of his older films in terms of the subject of the concentration camps.
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Report
(4 results)
Research Products
(31 results)
