| Project/Area Number |
21K00340
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Multi-year Fund |
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| Section | 一般 |
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| Review Section |
Basic Section 02030:English literature and literature in the English language-related
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| Research Institution | University of Tsukuba |
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Principal Investigator |
竹谷 悦子 筑波大学, 人文社会系, 教授 (60245933)
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| Project Period (FY) |
2021-04-01 – 2024-03-31
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| Project Status |
Granted (Fiscal Year 2022)
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| Budget Amount *help |
¥1,950,000 (Direct Cost: ¥1,500,000、Indirect Cost: ¥450,000)
Fiscal Year 2023: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2022: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2021: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
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| Keywords | Lorraine Hansberry / Hiroshima / A Raisin in the Sun / What Use Are Flowers? / Occupied Japan / Theodor Seuss Geisel / transnational aeriality / aeriality / Japan / Nation of Islam |
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| Outline of Research at the Start |
This project examines what I heuristically term “aerial archives.” Aerial archives operate as an archiving system, recording paradigm shifts in aeriality. I analyze the ways in which an aerial perspective can make legible a new constellation of concerns that came to occupy the attention of authors.
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| Outline of Annual Research Achievements |
This project examines the links between American aeriality and race to reveal how a shift in seeing, picturing, and thinking of the aerial, has caused corollary shifting grounds for race―and the human race―in the planetary imagination of American (in particular African American) literature. The aerial view has helped change archaeology, geology, town planning, and sociology, fields where its use has shown significant development. This project draws on and departs from recent studies on aeriality such as Jason Weems' Barnstorming the Prairies, Sonja Dumpelmann's Flights of Imagination, and Caren Kaplan's Aerial Aftermaths. My interest here is in asking how the turn to aeriality can lead to a shift in literature and literary studies. To put the question slightly differently: How can one theorize about aeriality as a literary and critical practice?
During the second year of the project, I explored the black nuclear Pacific that was born with the aerial dropping of the atom bomb and its heuristic literary genealogy, by looking at the work of African American playwright Lorraine Hansberry, who reviewed the imported Japanese film Hiroshima. I considered Hansberry’s portrait of the kitchenette planet, haunted by threats of bombing, where mothers, a fetus, and a plant struggle for survival (A Raisin in the Sun) and her post-nuclear holocaust play (What Use Are Flowers?).
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| Current Status of Research Progress |
Current Status of Research Progress
2: Research has progressed on the whole more than it was originally planned.
Reason
This project is part of my book project in progress. Part of a chapter on Theodor Seuss Geisel was published in Journal of Transnational American Studies.
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| Strategy for Future Research Activity |
I intend to prepare a chapter on Malcolm X and the Mother Plane, a flying machine attributed to Japan, in the teachings of the Nation of Islam.
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Report
(2 results)
Research Products
(5 results)
