Collaboration and collective imagination in Shuzo Takiguchi
| Project/Area Number |
22320042
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| Research Category |
Grant-in-Aid for Scientific Research (B)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
Study of the arts/History of the arts/Arts in general
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| Research Institution | Keio University |
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Principal Investigator |
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| Co-Investigator(Kenkyū-buntansha) |
TANAKA Jun'ichi 慶應義塾大学, 経済学部, 名誉教授 (30051642)
ASABUKI Ryoji 慶應義塾大学, 法学部, 教授 (70159383)
ASAKI Yuka 神奈川県立近代美術館, 企画課, 学芸員 (50450797)
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| Project Period (FY) |
2010 – 2012
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| Project Status |
Completed (Fiscal Year 2012)
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| Budget Amount *help |
¥11,180,000 (Direct Cost: ¥8,600,000、Indirect Cost: ¥2,580,000)
Fiscal Year 2012: ¥6,500,000 (Direct Cost: ¥5,000,000、Indirect Cost: ¥1,500,000)
Fiscal Year 2011: ¥1,820,000 (Direct Cost: ¥1,400,000、Indirect Cost: ¥420,000)
Fiscal Year 2010: ¥2,860,000 (Direct Cost: ¥2,200,000、Indirect Cost: ¥660,000)
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| Keywords | 美術論 / 仏文学 / シュルレアリスム / 瀧口修造 / コラボレーション / マルセル・デュシャン / 現代芸術 |
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| Research Abstract |
From early 1960’s, Shuzo Takiguchi deepened his consideration on objects and language, focusing on "collaboration" with other artists, especially through a relationship with Marcel Duchamp. Our research was oriented on footprints of “late-period Takiguchi
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Report
(4 results)
Research Products
(42 results)
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[Journal Article] 略年譜・文献2010
Author(s)
朝木由香
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Journal Title
「彫刻家エル・アナツイのアフリカ」展[展覧会図録(国立民族学博物館・神奈川県立近代美術館)]
Volume: 1巻
Pages: 214-229
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[Book] BIOS2011
Author(s)
ランベール,シャン=クラランス(詩), 桐村茜(画), 笠井裕之(訳)
Total Pages
24
Publisher
Maison de la Gravure Mediterranee
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