Reconsidering reality in the History of Japanese Paintings

• Project/Area Number: 22520098
• Research Category: Grant-in-Aid for Scientific Research (C)
• Allocation Type: Single-year Grants
• Section: 一般
• Research Field: Aesthetics/Art history
• Research Institution: Nagoya University
• Principal Investigator: ITO Daisuke 名古屋大学, 文学研究科, 教授 (00282541)
• Project Period (FY): 2010-04-01 – 2015-03-31
• Project Status: Completed (Fiscal Year 2014)
• Budget Amount: ¥4,160,000 (Direct Cost: ¥3,200,000、Indirect Cost: ¥960,000); Fiscal Year 2014: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000); Fiscal Year 2013: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000); Fiscal Year 2012: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000); Fiscal Year 2011: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000); Fiscal Year 2010: ¥1,300,000 (Direct Cost: ¥1,000,000、Indirect Cost: ¥300,000)
• Keywords: 美術史 / 似絵 / 肖像画

Outline of Final Research Achievements

Since YASHIRO Yukio pointed out that the characteristics of Japanese Art exists in its decorativeness, people have admitted his uderstanding. In this project, I picked up two theme such as NISE-E and the Paintings of MARUYAMA Okyo and ITO Jakuchu. NISE-E is one of the style of the portrait painting which is prevalent in Kamakura period. Okyo and Jakuchu are painters active in 18th century and famous for their real styles of paintings.
In the study of NISE-E, I insisted that the development of the style of NISE-E can be devide in three stages and finally provided a new evaluation axis for the study of NISE-E. In the study of 18th Century paintings, I focused on the sliding doors painted by MARUYAMA Okyo and found that Okyo had tried to present his 2D objects in his painting into real 3D world. Okyo's paintings have a feeling of magic.

Research Products

• [Journal Article] 回顧と展望（日本 中世 七、美術） (2014)
  • Author(s): 伊藤大輔
  • Journal Title: 史学雑誌 Volume: 123の5 Pages: 101-105
• [Journal Article] 肖像画試論 (2012)
  • Author(s): 伊藤大輔
  • Journal Title: 別冊太陽『やまと絵』 Volume: 201 Pages: 74-82
• [Presentation] 院政期における二つの美の原理 (2014)
  • Author(s): 伊藤大輔
  • Organizer: 第四八回オープンレクチャー
  • Place of Presentation: 東京文化財研究所
  • Year and Date: 2014-10-31 – 2014-11-01
  • Invited
• [Presentation] 「明恵上人樹上坐禅像」(日本・京都・高山寺蔵)に対する宋画の影響について (2011)
  • Author(s): 伊藤大輔
  • Organizer: 国際ワークショップ「越境する移動と文化翻訳」
  • Place of Presentation: 国立中興大学台湾文学與跨国文化研究所(台中)
  • Year and Date: 2011-03-17
• [Book] 日本美術史 (2014)
  • Author(s): 山下裕二・髙岸輝監修 伊藤大輔他24名執筆
  • Total Pages: 379
  • Publisher: 美術出版社
• [Book] 肖像画の時代-中世形成期における絵画の思想的深層 (2011)
  • Author(s): 伊藤大輔
  • Total Pages: 412
  • Publisher: 名古屋大学出版会