Theory of Photography as Theory of Intermedia
| Project/Area Number |
22520099
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
Aesthetics/Art history
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| Research Institution | Kobe University |
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Principal Investigator |
MAEKAWA Osamu 神戸大学, 人文学研究科, 准教授 (20300254)
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| Project Period (FY) |
2010 – 2012
|
| Project Status |
Completed (Fiscal Year 2012)
|
| Budget Amount *help |
¥3,770,000 (Direct Cost: ¥2,900,000、Indirect Cost: ¥870,000)
Fiscal Year 2012: ¥1,170,000 (Direct Cost: ¥900,000、Indirect Cost: ¥270,000)
Fiscal Year 2011: ¥1,170,000 (Direct Cost: ¥900,000、Indirect Cost: ¥270,000)
Fiscal Year 2010: ¥1,430,000 (Direct Cost: ¥1,100,000、Indirect Cost: ¥330,000)
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| Keywords | 写真 / メディア論 / 間メディア性 / カルト・ド・ヴィジット / ヴィデオ / タイムマシン / 間メディア / アマチュア写真 / ホラー / デジタル/アナログ / メディアアート |
|---|
| Research Abstract |
This project raised some points of view to discuss the photography as a inter-media, and investigated a number of phenomena from the 19thcentury to the end of the 20thcentury. These phenomena include a variety of photography such as carte de visit, art photography, amateur photography and digital photography. This project investigated the materials of these photographs and conducted a comparative study of them from the aesthetic view point. Through this way, I made clear various inter-medialities of photography.
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Report
(4 results)
Research Products
(12 results)
