Historical Consideration on the Non-White cube Gallery Space
Project/Area Number |
22520111
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Research Category |
Grant-in-Aid for Scientific Research (C)
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Allocation Type | Single-year Grants |
Section | 一般 |
Research Field |
Aesthetics/Art history
|
Research Institution | Musashino Art University |
Principal Investigator |
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Project Period (FY) |
2010 – 2012
|
Project Status |
Completed (Fiscal Year 2012)
|
Budget Amount *help |
¥3,120,000 (Direct Cost: ¥2,400,000、Indirect Cost: ¥720,000)
Fiscal Year 2012: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2011: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2010: ¥1,820,000 (Direct Cost: ¥1,400,000、Indirect Cost: ¥420,000)
|
Keywords | 美術史 / 美学 / 芸術諸学 / 博物館学 |
Research Abstract |
This study focuses on the design of gallery spaces for modern art, investigating especially the non-white cube gallery space, which runs counter to the prevalent white cube spaces. By analyzing the historical development of gallery design for modern art, both white cubic and non-white cubic, this study also deals with the influence of space design on the meaning of the works displayed. The special attention is paid on the most important example of the non-white cubic type, El Lissitzky’s “Abstract Cabinet” in Hannover, Germany.
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Report
(4 results)
Research Products
(2 results)