Research about Representations of Common People in Religious Images of Early Seventeenth Century Rome and about Their Acceptance
Project/Area Number |
22520114
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Research Category |
Grant-in-Aid for Scientific Research (C)
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Allocation Type | Single-year Grants |
Section | 一般 |
Research Field |
Aesthetics/Art history
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Research Institution | Fukuoka University |
Principal Investigator |
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Project Period (FY) |
2010 – 2012
|
Project Status |
Completed (Fiscal Year 2012)
|
Budget Amount *help |
¥2,860,000 (Direct Cost: ¥2,200,000、Indirect Cost: ¥660,000)
Fiscal Year 2012: ¥780,000 (Direct Cost: ¥600,000、Indirect Cost: ¥180,000)
Fiscal Year 2011: ¥780,000 (Direct Cost: ¥600,000、Indirect Cost: ¥180,000)
Fiscal Year 2010: ¥1,300,000 (Direct Cost: ¥1,000,000、Indirect Cost: ¥300,000)
|
Keywords | 美術史 / 近世ローマ絵画 / 世俗同信会 / 聖フィリッポ・ネリ / ドメニキーノ / カラヴァッジォ / 庶民の期待 / 庶民表現 / ローマ / バロック絵画 / 聖女チェチリア / 民衆表現 / オラトリオ会 / 7大教会巡り / カトリック絵画 / カラッチ / 17世紀絵画 |
Research Abstract |
From the end of the 16th to the beginning of the 17th Century in Rome, many religious orders and confraternities contributed to the religious education of common people offering them catechism classes, pilgrimages to seven patriarchal churches and forty hours’ devotion of the Blessed Sacrament. Realistic representation of common people in this period is especially studied about Caravaggio and many painters are labeled as “his followers”. But new and realistic representation of common people was a general requirement in the Roman religious painting of this period as isevident from the analysis of works of “classical” painters such as Domenichino.
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Report
(4 results)
Research Products
(10 results)