The Idea of Pure Music : Josef Matthias Hauer as a Musical Aesthetician
| Project/Area Number |
22520121
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
Study of the arts/History of the arts/Arts in general
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| Research Institution | Iwate University |
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Principal Investigator |
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| Project Period (FY) |
2010-04-01 – 2014-03-31
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| Project Status |
Completed (Fiscal Year 2013)
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| Budget Amount *help |
¥3,640,000 (Direct Cost: ¥2,800,000、Indirect Cost: ¥840,000)
Fiscal Year 2013: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2012: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2011: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
Fiscal Year 2010: ¥1,430,000 (Direct Cost: ¥1,100,000、Indirect Cost: ¥330,000)
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| Keywords | ハウアー / 雑音音楽 / 絶対旋律 / 十二音遊戯 / ヘッセ / ガラス玉遊戯 / 結晶 / J.M.ハウアー / ノモス / 新ウィーン楽派 |
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| Research Abstract |
Comparing the discourse of Josef Matthias Hauer about music to other discourse of the same era, this research revealed that Hauer wasn't oriented to "mechanical", "sensory" and "natural" listening and composing, but to "non-sensory" and "intellectual." Hauer's "atonal music", that is, "pure music" which relied upon equal temperament as "neutral and "tempered," is a type of intellectual agency about how man get the order of composition intuitively, rather than the music in itself.
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Report
(5 results)
Research Products
(6 results)
