The actual state of amateur group activities of entertainments in Shanghai during the late Republic era.
| Project/Area Number |
22520130
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
Study of the arts/History of the arts/Arts in general
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| Research Institution | Tokyo National University of Fine Arts and Music |
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Principal Investigator |
ODAKA Akiko 東京芸術大学, 音楽学部, 講師 (00397019)
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| Project Period (FY) |
2010 – 2012
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| Project Status |
Completed (Fiscal Year 2012)
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| Budget Amount *help |
¥2,340,000 (Direct Cost: ¥1,800,000、Indirect Cost: ¥540,000)
Fiscal Year 2012: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2011: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2010: ¥1,040,000 (Direct Cost: ¥800,000、Indirect Cost: ¥240,000)
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| Keywords | 上海 / 中華民国 / 東洋史 / 中国音楽 / 近代化 / アマチュア |
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| Research Abstract |
In my research, I took a comprehensive view of entertainment activities practiced by amateur groups in Shanghai during the late Republic era. In this period, members of lianyihui, a friendship organization formed by employees in the same industry became main actors of these activities. They practiced Peking opera, national ensemble, Guangdong music, tanci, modern dramas, the harmonica etc, which were very popular among the intellectuals at that time. As lianyihui was a power base of the communist party, they introduced national salvation choruses encouraging resistance movement against Japan. These “authentic entertainment activities” were thought as a part of the equation of mind.
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Report
(4 results)
Research Products
(15 results)
