| Project/Area Number |
22520144
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
Study of the arts/History of the arts/Arts in general
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| Research Institution | Kyoto City University of Arts |
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Principal Investigator |
TAKEUCHI Yuuichi 京都市立芸術大学, 日本伝統音楽研究センター, 准教授 (60381927)
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| Project Period (FY) |
2010 – 2012
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| Project Status |
Completed (Fiscal Year 2012)
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| Budget Amount *help |
¥1,950,000 (Direct Cost: ¥1,500,000、Indirect Cost: ¥450,000)
Fiscal Year 2012: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2011: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2010: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
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| Keywords | 常磐津節 / 浄瑠璃 / 歌舞伎音楽 / 三味線音楽 / 現行曲 / 稀曲 / 初演 / 作曲 / 歌舞伎浄瑠璃 / 現行曲と稀曲 / 芸能伝承者 / 伝承者 / 流派 |
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| Research Abstract |
I studied comprehensively the actual condition about succession of "Tokiwazu-bushi" which is one school of the "Bungokei Joruri". As a result, I checked correctly many numbers of the "Tokiwazu-bushi" inherited now, and recorded the performance example concretely about the number with few opportunities performed. Moreover, I considered the circumstances by which some specific numbers of "Tokiwazu-bushi" was remade or it was revitalized. I also described some programs which followed original tradition in the Kansai district or Nagoya. Furthermore, I corrected the defect of the accepted theory about a composition year or a composer. Finally, I built these results as a database and exhibited them on the website.
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