The Late 18th-Century Berlin Manuscript Copies of Contrapuntal Works by the Composers of the 17th and the Early 18th Centuries
Project/Area Number |
22520149
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Research Category |
Grant-in-Aid for Scientific Research (C)
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Allocation Type | Single-year Grants |
Section | 一般 |
Research Field |
Study of the arts/History of the arts/Arts in general
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Research Institution | Keio University |
Principal Investigator |
ISHII Akira 慶應義塾大学, 経済学部, 教授 (00317273)
|
Project Period (FY) |
2010 – 2012
|
Project Status |
Completed (Fiscal Year 2012)
|
Budget Amount *help |
¥2,600,000 (Direct Cost: ¥2,000,000、Indirect Cost: ¥600,000)
Fiscal Year 2012: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2011: ¥1,040,000 (Direct Cost: ¥800,000、Indirect Cost: ¥240,000)
Fiscal Year 2010: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
|
Keywords | バロック音楽 / フローベルガー / フレスコバルディ / バッハ / ベルリン / テレマン / 鍵盤音楽 / 健盤音楽 / ヨハン・ヤコプ・フローベルガー / ヨハン・ゼバスティアン・バッハ / ジローラモ・フレスコバルディ / ゲオルク・フィリップ・テレマン / 受容史 / ヨハン・ゼバスチャン・バッハ |
Research Abstract |
The Berlin musicians and music lovers in the second half of the eighteenth century copied a number of contrapuntal compositions by the composers of the previous generations. The level of appreciation for contrapuntal compositions by the composers of the p
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Report
(4 results)
Research Products
(5 results)