| Project/Area Number |
22520308
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
European literature (English literature excluded)
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| Research Institution | Kyoto University |
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Principal Investigator |
TANABE Reiko 京都大学, 人間・環境学研究科(研究院), 教授 (80188367)
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| Co-Investigator(Kenkyū-buntansha) |
TRAUDEN Dieter 京都大学, 大学院人間環境学研究科, 外国人教師 (20535273)
KLAWITTER Arne 早稲田大学, 文学学術院, 教授 (90444778)
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| Project Period (FY) |
2010-04-01 – 2014-03-31
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| Project Status |
Completed (Fiscal Year 2013)
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| Budget Amount *help |
¥4,030,000 (Direct Cost: ¥3,100,000、Indirect Cost: ¥930,000)
Fiscal Year 2013: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2012: ¥1,170,000 (Direct Cost: ¥900,000、Indirect Cost: ¥270,000)
Fiscal Year 2011: ¥1,040,000 (Direct Cost: ¥800,000、Indirect Cost: ¥240,000)
Fiscal Year 2010: ¥1,170,000 (Direct Cost: ¥900,000、Indirect Cost: ¥270,000)
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| Keywords | 独文学 / ドイツ文学 |
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| Research Abstract |
There have been many discuttions about the "body", but one aspect, the incorporeal, especially the area where corporeal and incorporeal cross each other, has rarely gained the focus of interest. In our research project, we analyzed the relationship between the corporeal and incorporeal in German literature. Starting by studiying the relationship between body and soul in Christian theology, we then analyzed the discourse of mimetic behavior and bodily existence in Western philosophy from the ancient to the modern times. We considered also Winckelmann, Wieland, Goethe and the aesthetical implications of the rise of silhouettes and the shadow theatre of the 18th century. Finally we examined the voice in modern opera, especially its function of desubjectification during the 1920s. The results of our research would be a contribution in the examination of such phenomena as the disembodiment as a characteristic predicament of modern (and postmodern) culture.
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