| Project/Area Number |
22520374
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
Literatures/Literary theories in other countries and areas
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| Research Institution | Hosei University |
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Principal Investigator |
KUNO Ryoichi 法政大学, 経済学部, 教授 (70409340)
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| Project Period (FY) |
2010-04-01 – 2014-03-31
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| Project Status |
Completed (Fiscal Year 2013)
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| Budget Amount *help |
¥2,860,000 (Direct Cost: ¥2,200,000、Indirect Cost: ¥660,000)
Fiscal Year 2013: ¥130,000 (Direct Cost: ¥100,000、Indirect Cost: ¥30,000)
Fiscal Year 2012: ¥780,000 (Direct Cost: ¥600,000、Indirect Cost: ¥180,000)
Fiscal Year 2011: ¥780,000 (Direct Cost: ¥600,000、Indirect Cost: ¥180,000)
Fiscal Year 2010: ¥1,170,000 (Direct Cost: ¥900,000、Indirect Cost: ¥270,000)
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| Keywords | 国民文学 / キューバ / カリブ / ナショナリズム / プエルト・リコ / ポストコロニアル |
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| Research Abstract |
The "Cubanity" of twentieth-century Cuban literature were set into motion with the formation of a national literature at the time of the country's independence in 1902, and in this way, Cuba exhibited a different characteristic than its neighboring Caribbean countries. During the avant-garde period, Criollo intellectuals established a discourse that described Cuba as "a Great Nation". This discourse was influenced by the black literature movement that was developing in the French-speaking Caribbean countries, but it never became significant. An image of Cuba was always based on the Christian worldview. The Revolution of 1959 was meant solely to strengthen this "Cubanity". After the Revolution, the discourse on Cuba (that was created by exiles who left the country) formed a counterpart, rather like a conflicting mirror image, to the discourse of the revolutionary regime. The faction that supported the revolution and the intellectual exiles battled over the ownership of this "Cubanity".
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