| Project/Area Number |
22652020
|
|---|
| Research Category |
Grant-in-Aid for Challenging Exploratory Research
|
| Allocation Type | Single-year Grants |
|---|
| Research Field |
Study of the arts/History of the arts/Arts in general
|
|---|
| Research Institution | Nihon University |
|---|
Principal Investigator |
|
|---|
| Co-Investigator(Kenkyū-buntansha) |
UMEDA Hideharu 静岡文化芸術大学, 人文社会学部, 教授 (40316203)
MINAGAWA Koichi 神田外語大学, 外国語学部, 准教授 (60337748)
|
|---|
| Co-Investigator(Renkei-kenkyūsha) |
TOYOTANI Jun 日本大学, 生産工学部, 准教授 (70459866)
|
|---|
| Project Period (FY) |
2010 – 2012
|
| Project Status |
Completed (Fiscal Year 2012)
|
| Budget Amount *help |
¥3,260,000 (Direct Cost: ¥2,900,000、Indirect Cost: ¥360,000)
Fiscal Year 2012: ¥260,000 (Direct Cost: ¥200,000、Indirect Cost: ¥60,000)
Fiscal Year 2011: ¥1,300,000 (Direct Cost: ¥1,000,000、Indirect Cost: ¥300,000)
Fiscal Year 2010: ¥1,700,000 (Direct Cost: ¥1,700,000)
|
|---|
| Keywords | ガムラン / バリ島 / うなり / 音程 / 音高 / 有限要素法 / ガムラン・ゴング・クビャール / 調律 / 音響シミュレーション / ガムラン・グンデル・ワヤン / ガムラン・アンクルン |
|---|
| Research Abstract |
About 50 sets of Gamelan, mainly Gamelan Gong Kebyar which is generally used in Bali, in Japan and Bali of Indonesia were measured and analyzed. As a result, their interference beat frequencies were tuned between 5Hz from 10Hz. Further, their pitches and intervals were differences on the regions in Bali, and they are classified into four roughly.
|
