Christian Illuminated Manuscripts and Cultural Interaction in the Iberian Peninsula during the Reconquista
Project/Area Number |
22720041
|
Research Category |
Grant-in-Aid for Young Scientists (B)
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Allocation Type | Single-year Grants |
Research Field |
Aesthetics/Art history
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Research Institution | Tokyo University of Foreign Studies |
Principal Investigator |
KUME Junko 東京外国語大学, 大学院総合国際学研究院, 講師 (60570645)
|
Project Period (FY) |
2010-04-01 – 2014-03-31
|
Project Status |
Completed (Fiscal Year 2013)
|
Budget Amount *help |
¥4,940,000 (Direct Cost: ¥3,800,000、Indirect Cost: ¥1,140,000)
Fiscal Year 2013: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
Fiscal Year 2012: ¥1,040,000 (Direct Cost: ¥800,000、Indirect Cost: ¥240,000)
Fiscal Year 2011: ¥1,040,000 (Direct Cost: ¥800,000、Indirect Cost: ¥240,000)
Fiscal Year 2010: ¥1,950,000 (Direct Cost: ¥1,500,000、Indirect Cost: ¥450,000)
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Keywords | 装飾写本 / 中世キリスト教美術 / スペイン / レコンキスタ / 写本学 / 美術史学 / キリスト教美術 |
Research Abstract |
This project has dealed with the Christian Art of the North of the Iberian Peninsula during the Reconquista (711-1492), with a special focus on the Illuminated Manuscripts. Regarding the context, it is well known the phenomenon called "coexistence" among Chritians, Muslims and Jews in this area and time. Moreover, it should be also emphasized the political, ritual and cultural intervention of the Papacy and the monks of french origin; the hispanic christians used their own Mozarabic Rite and the Visigothic Script until the 11-12th century. The complex aspects of cultural interaction are explained in each one of the case studies. On the other hand, through the participation in a colloquium and personal contacts, it was confirmed that some problems that we japanese face on our research activities can be common, to a certain extent, with those of the Latin American researchers, because they also investigate the European Medieval themes with a wide geographical and psychological distance.
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Report
(4 results)
Research Products
(20 results)