Transition of body expression in Asia~ Exchange between" foreign bodies" that taking a lesson from the past invents
| Project/Area Number |
22720059
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| Research Category |
Grant-in-Aid for Young Scientists (B)
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| Allocation Type | Single-year Grants |
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| Research Field |
Study of the arts/History of the arts/Arts in general
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| Research Institution | Shinshu University |
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Principal Investigator |
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| Project Period (FY) |
2010 – 2011
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| Project Status |
Completed (Fiscal Year 2011)
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| Budget Amount *help |
¥4,550,000 (Direct Cost: ¥3,500,000、Indirect Cost: ¥1,050,000)
Fiscal Year 2011: ¥2,730,000 (Direct Cost: ¥2,100,000、Indirect Cost: ¥630,000)
Fiscal Year 2010: ¥1,820,000 (Direct Cost: ¥1,400,000、Indirect Cost: ¥420,000)
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| Keywords | 現代舞踊 / 舞台演出論 / 身体表現 / 振付論 / コンテンポラリーダンス / 現代舞台舞踊芸術 / 芸術論 |
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| Research Abstract |
Through practical and theoretical research via film, literature and field study, I was able to understand and bridge Indonesian martial arts(Pencak Silat), Indonesian traditional dance with contemporary dance in a multi dimensional way. Based on these different backgrounds, I created an experimental dance with an Indonesian dancer and composer and a Japanese visual artist and composer.
It is amazing to see such a coexistence on stage because these two different cultures both have different ways of body expression, methodology and interpretation of dance choreography. From this experiment, a new genre was created using dance and body expression as the base of the next step toward the future.
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Report
(3 results)
Research Products
(16 results)
