Similaritys of De Stijl's forms and Arnold Schonberg's music
| Project/Area Number |
22720073
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| Research Category |
Grant-in-Aid for Young Scientists (B)
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| Allocation Type | Single-year Grants |
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| Research Field |
Study of the arts/History of the arts/Arts in general
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| Research Institution | Kobe Design University |
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Principal Investigator |
YOON Jibak 神戸芸術工科大学, デザイン学部, 助手 (90549677)
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| Project Period (FY) |
2010 – 2012
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| Project Status |
Completed (Fiscal Year 2012)
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| Budget Amount *help |
¥2,860,000 (Direct Cost: ¥2,200,000、Indirect Cost: ¥660,000)
Fiscal Year 2012: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2011: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2010: ¥1,560,000 (Direct Cost: ¥1,200,000、Indirect Cost: ¥360,000)
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| Keywords | デ・ステイル、 / アーノルト・シェーンベルク / テオ・ファン・ドゥースブルフ / ピエト・モンドリアン / ヘリット・トーマス・リートフェルト / 十二音技法 / 重力 / 調性 / デ・ステイル / ジョージ・アンタイル / テオ・ファンドゥースブルフ |
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| Research Abstract |
Although distinct creative disciplines, De Stijl’s forms and Schonberg’s dodecaphony both constituted strong conscious initiatives away from the “self-evident” norms of painting and architecture premised upon gravity or music subordinated to tonality toward free expression. Moreover, shared concepts and statements they both voiced about “no absolute down, no right or left, forward or backward” clearly reflect their respective “non-gravitational” and “non-tonal” oeuvres shaped by pursuit of creative forms with no centering “weight.”
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Report
(4 results)
Research Products
(12 results)
