| Project/Area Number |
22820025
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| Research Category |
Grant-in-Aid for Research Activity Start-up
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| Allocation Type | Single-year Grants |
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| Research Field |
Study of the arts/History of the arts/Arts in general
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| Research Institution | Tokyo National University of Fine Arts and Music |
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Principal Investigator |
KASAI Amane 東京芸術大学, 音楽学部, 助手 (00584161)
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| Project Period (FY) |
2010 – 2011
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| Project Status |
Completed (Fiscal Year 2011)
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| Budget Amount *help |
¥1,807,000 (Direct Cost: ¥1,390,000、Indirect Cost: ¥417,000)
Fiscal Year 2011: ¥728,000 (Direct Cost: ¥560,000、Indirect Cost: ¥168,000)
Fiscal Year 2010: ¥1,079,000 (Direct Cost: ¥830,000、Indirect Cost: ¥249,000)
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| Keywords | 近代日本音楽史・ポストコロニアル理論 / メディア・イベント研究 / 異文化表象 / 音楽学 / データベース / ポストコロニアル理論 / 近代日本音楽 |
|---|
| Research Abstract |
This study aims to clarify how music was utilized in colonial Taiwan and Korea from two perspectives :(1) strategy of adopting Japanese music in colonies, and(2) cultural identity formed through indigenous music practices. It argues how music was contested or imbedded locally, and what kind of responses the music elicited, by researching three media :(1) articles concerning music in newspapers and magazines published in colonies,(2) mass media events such as expositions or festivals, and(3) entertainment reproduced media works such as records and films.
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