A Study on "Imitation" and "Indigenity" of Gezaixi
| Project/Area Number |
22820051
|
|---|
| Research Category |
Grant-in-Aid for Research Activity Start-up
|
| Allocation Type | Single-year Grants |
|---|
| Research Field |
Study of the arts/History of the arts/Arts in general
|
|---|
| Research Institution | Okinawa Prefectural University of Arts |
|---|
Principal Investigator |
OHATA Ryoko 沖縄県立芸術大学, 付置研究所, 研究員 (30589784)
|
|---|
| Project Period (FY) |
2010 – 2011
|
| Project Status |
Completed (Fiscal Year 2011)
|
| Budget Amount *help |
¥1,989,000 (Direct Cost: ¥1,530,000、Indirect Cost: ¥459,000)
Fiscal Year 2011: ¥988,000 (Direct Cost: ¥760,000、Indirect Cost: ¥228,000)
Fiscal Year 2010: ¥1,001,000 (Direct Cost: ¥770,000、Indirect Cost: ¥231,000)
|
|---|
| Keywords | 台湾 / 日本統治期 / 歌仔戯 / 中国戯曲音楽 / 郷土性 / レコード |
|---|
| Research Abstract |
Gezaixi is a comparatively new genre of play in Chinese drama that had been formed in Taiwan in the beginning of the 20th century. Around this age, the phonograph came to be spread in Taiwan too resulting lot of records to be produced. The contents of those records like performer, genre, melody, composition, musical instruments etc were studied in this research. According to the investigation, some aspects common to other performing arts in Taiwan were found in Gezaixi. From the analysis, we understand Gezaixi used language of the majority in Taiwan. Besides, it reflected the existing musical elements what the society seek at that time. Those elements have the possibility of being considered as indigenous in this research.
|
Report
(3 results)
Research Products
(5 results)
