| Project/Area Number |
23320030
|
|---|
| Research Category |
Grant-in-Aid for Scientific Research (B)
|
| Allocation Type | Single-year Grants |
|---|
| Section | 一般 |
|---|
| Research Field |
Aesthetics/Art history
|
|---|
| Research Institution | The University of Tokyo |
|---|
Principal Investigator |
AKIYAMA Akira 東京大学, 人文社会系研究科, 教授 (50293113)
|
|---|
| Co-Investigator(Kenkyū-buntansha) |
SATO Yasuhiro 東京大学, 大学院・人文社会系研究科, 教授 (50141990)
ITAKURA Masaaki 東京大学, 東洋文化研究所, 教授 (00242074)
TAKAGISHI Akira 東京大学, 大学院・人文社会系研究科, 准教授 (80416263)
|
|---|
| Co-Investigator(Renkei-kenkyūsha) |
KYOTANI Yoshinori 九州大学, 大学院・人文科学研究院, 准教授 (70322063)
HAGA Kyoko 東北大学, 大学院・文学研究科, 准教授 (80421840)
HATA Koichiro 聖心女学院大学, 文学部, 講師 (20514574)
FUKUSHIMA Isao 北九州市立大学, 文学部, 准教授 (30422356)
TSUKAMOTO Maromitsu 東京国立博物館, 研究員 (00416265)
TANAKA Masayuki 武蔵野美術大学, 造形学部, 教授 (70290872)
|
|---|
| Project Period (FY) |
2011-04-01 – 2014-03-31
|
| Project Status |
Completed (Fiscal Year 2013)
|
| Budget Amount *help |
¥20,670,000 (Direct Cost: ¥15,900,000、Indirect Cost: ¥4,770,000)
Fiscal Year 2013: ¥6,370,000 (Direct Cost: ¥4,900,000、Indirect Cost: ¥1,470,000)
Fiscal Year 2012: ¥6,890,000 (Direct Cost: ¥5,300,000、Indirect Cost: ¥1,590,000)
Fiscal Year 2011: ¥7,410,000 (Direct Cost: ¥5,700,000、Indirect Cost: ¥1,710,000)
|
|---|
| Keywords | 西洋美術史 / 宗教美術史 / 比較美術史 / 日本・東洋美術史 / 宝物 / 聖遺物 / 聖像 / 所蔵目録 / 美術史 / 聖遺物崇敬 / 聖像崇敬 / コレクション / 絵巻 / 比較宗教美術史 / 工芸 |
|---|
| Research Abstract |
While Hans Belting used a term "image" to describe art history before the age of "art", our research project has tried to revise art history through applying a concept "treasure" instead of "art" not only in Europe but also in East Asia. In the course of the research some key topics have emerged around the issue of the relationship of visual arts and treasures: for example, differences between the concept "treasure" and its modern equivalent concepts like "cultural property" or "art works". Treasures were often used as instruments for diverse kinds of ritual and had a character as consumable goods in pre-modern era. Therefore, it has become apparent that the concept "treasure" should be an effective means to overview art history on the whole both in Europe and in East Asia. The international network of art historians in diverse fields, which has been nurtured through this research project, will enhance comparative art historical approaches.
|
