| Project/Area Number |
23320058
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| Research Category |
Grant-in-Aid for Scientific Research (B)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
Japanese literature
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| Research Institution | National Institute of Japanese Literature |
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Principal Investigator |
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| Co-Investigator(Kenkyū-buntansha) |
HANADA Fujio ノースアジア大学, 教養部, 教授 (00110205)
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| Research Collaborator |
EMOTO Hiroshi 大妻女子大学, 名誉教授
KIM Yongho 東北学院大学, 准教授
KATSUMATA Motoi 明星大学, 教授
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| Project Period (FY) |
2011-04-01 – 2016-03-31
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| Project Status |
Completed (Fiscal Year 2015)
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| Budget Amount *help |
¥20,930,000 (Direct Cost: ¥16,100,000、Indirect Cost: ¥4,830,000)
Fiscal Year 2015: ¥4,030,000 (Direct Cost: ¥3,100,000、Indirect Cost: ¥930,000)
Fiscal Year 2014: ¥3,510,000 (Direct Cost: ¥2,700,000、Indirect Cost: ¥810,000)
Fiscal Year 2013: ¥3,900,000 (Direct Cost: ¥3,000,000、Indirect Cost: ¥900,000)
Fiscal Year 2012: ¥3,770,000 (Direct Cost: ¥2,900,000、Indirect Cost: ¥870,000)
Fiscal Year 2011: ¥5,720,000 (Direct Cost: ¥4,400,000、Indirect Cost: ¥1,320,000)
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| Keywords | 絵入刊本 / 版画 / 古版画 / 出版史 / 東アジア / 帝鑑図説 / 国際情報交換 / 韓国 / 中国 / ベトナム / 仮名草子 / 父母恩重経 / 三綱行実図 / 絵入り刊本 |
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| Outline of Final Research Achievements |
Per picture input Kampon up to the 17th century of Japan, China and South Korea, we were able to integrate the data of more than 6,000. Through these analyzes, papers, oral presentations, and publication of the book was done. hosted the international workshop "East Asian painting enter Kampon" on October 17, 2015. There, he conducted a study announced invited researcher Yue Japan, China and South Korea.At the same time invited the Japan and South Korea of printmaking technician, performs a demonstration of carving and printing, it was also register from the technical side.In addition, up to November 20 from October 13, 2015, in Kokubungakukenkyushiryokan, held a special exhibition, "South Korea old prints Museum Masterpieces Exhibition".This is, but in which was intended to exhibit the old prints of East Asia, especially for the old prints of Korea, it became the first introduction to the exhibition in Japan.
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