Genesis and Significance about the Vivid Representation of the Sculpture-within-a-Picture in Watteau's fête galante.

Research Project

Project/Area Number	23520118
Research Category	Grant-in-Aid for Scientific Research (C)
Allocation Type	Multi-year Fund
Section	一般
Research Field	Aesthetics/Art history
Research Institution	Aichi Sangyo University
Principal Investigator	SUGIYAMA Naoko 愛知産業大学, その他の研究科, 准教授 (30547493)
Project Period (FY)	2011-04-28 – 2015-03-31
Project Status	Completed (Fiscal Year 2014)
Budget Amount *help	¥3,120,000 (Direct Cost: ¥2,400,000、Indirect Cost: ¥720,000) Fiscal Year 2013: ¥1,040,000 (Direct Cost: ¥800,000、Indirect Cost: ¥240,000) Fiscal Year 2012: ¥1,040,000 (Direct Cost: ¥800,000、Indirect Cost: ¥240,000) Fiscal Year 2011: ¥1,040,000 (Direct Cost: ¥800,000、Indirect Cost: ¥240,000)
Keywords	18世紀フランス美術 / アントワーヌ・ヴァトー / 雅宴画 / 画中彫刻 / 美術アカデミー / ロココ / ロジェ・ド・ピール / ケリュス伯 / ロココ美術 / 彫刻 / 美術理論 / ピュグマリオン / フランス / 国際研究者交流 / 美術史 / 18世紀
Outline of Final Research Achievements	We explained the genesis and the significance about the vivid representaion of the sculpture-within-a-picture in Antoine Watteau's(1684-1721) fete galante, which is a French term used to describe a category of painting and features elegant gentlemen and ladies at play in the parkland settings. And we proposed the possibility to understand Watteau's paintings and the context of the 18th-century French art in a new way.

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