Reconsidering the Aesthetics of English Modernism: the direction of film art in the early 20th century
| Project/Area Number |
23520135
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Multi-year Fund |
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| Section | 一般 |
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| Research Field |
Aesthetics/Art history
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| Research Institution | Kyoto Seika University |
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Principal Investigator |
MAEDA Shigeru 京都精華大学, 人文学部, 准教授 (80368042)
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| Co-Investigator(Kenkyū-buntansha) |
KANAME Mariko 大阪大学, コミュニケーションデザイン・センター, 准教授 (40420426)
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| Project Period (FY) |
2011 – 2013
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| Project Status |
Completed (Fiscal Year 2013)
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| Budget Amount *help |
¥5,200,000 (Direct Cost: ¥4,000,000、Indirect Cost: ¥1,200,000)
Fiscal Year 2013: ¥1,820,000 (Direct Cost: ¥1,400,000、Indirect Cost: ¥420,000)
Fiscal Year 2012: ¥2,080,000 (Direct Cost: ¥1,600,000、Indirect Cost: ¥480,000)
Fiscal Year 2011: ¥1,300,000 (Direct Cost: ¥1,000,000、Indirect Cost: ¥300,000)
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| Keywords | 国際研究者交流 / イギリス / ２０世紀初頭 / モダニズム / 映画 / 美学 / 批評 / メディア / 20世紀初頭 / アイリス・バリー / イヴォール・モンタギュ / バーナード・ショウ / ロンドン映画協会 / ブルームズベリー・グループ / ヴォーティシズム / イギリス・モダニズム |
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| Research Abstract |
Through the 1920s, British modernist critics began to deal in films as new media, and thus its aesthetics and critical methods had to be refined beyond their previous application to literature and painting. This refinement has been almost ignored under the presence of Russian formalistic film critics which has become the mainstream in successive film studies since the 1930s. Against this trend, we aim to shed light on this part of the critical movement and examine its activities for critical theory today. As a result, we clarified that there had been the references to what should have been called "temporal sentiment" in critical discourses of Virginia Woolf, Wyndham Lewis and so forth.
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Report
(4 results)
Research Products
(46 results)
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[Presentation] マンガにおける間2013
Author(s)
前田茂
Organizer
BEER展ミニシンポジウム「芸術における間」
Place of Presentation
イロリムラプチホール
Year and Date
2013-11-30
Related Report
Invited
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