| Project/Area Number |
23520161
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Multi-year Fund |
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| Section | 一般 |
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| Research Field |
Study of the arts/History of the arts/Arts in general
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| Research Institution | Tokyo National University of Fine Arts and Music |
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Principal Investigator |
NOGAWA Mihoko 東京藝術大学, 音楽学部, 講師 (50218294)
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| Project Period (FY) |
2011 – 2013
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| Project Status |
Completed (Fiscal Year 2013)
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| Budget Amount *help |
¥1,560,000 (Direct Cost: ¥1,200,000、Indirect Cost: ¥360,000)
Fiscal Year 2013: ¥390,000 (Direct Cost: ¥300,000、Indirect Cost: ¥90,000)
Fiscal Year 2012: ¥390,000 (Direct Cost: ¥300,000、Indirect Cost: ¥90,000)
Fiscal Year 2011: ¥780,000 (Direct Cost: ¥600,000、Indirect Cost: ¥180,000)
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| Keywords | 地歌 / 浄瑠璃物 / 三味線音楽 / 日本音楽 / 流行歌謡 / 繁太夫節 / 繁太夫物 / 浄瑠璃 / 旋律型 / 歌舞伎 |
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| Research Abstract |
The repertoire of Jiuta, which developed in the Kansai area, includes not only original pieces composed by blind musicians, but also tunes derived from other genres of Shamisen music, such as the music of Kabuki theatre, puppet theatre, and Yukaku entertainment music. In this research, focused on "Shigetayumono" --a group of tunes in Jiuta related to "Shigetayubushi" by Toyomi Shigetayu; who played an important role in Osaka at the first half of the 18th century--, documentary records and sound sources have been collected and classified. Based on those materials, the formational processes surrounding the genre "Shigetayumono" have been considered, and a method to analyze those musical characteristics has been proposed. Furthermore "Nagautamono" --a genre in Jiuta-- has been analysed in terms of its quotations of popular songs from the period spannng from the medieval to early modern periods.
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