| Project/Area Number |
23520178
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Multi-year Fund |
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| Section | 一般 |
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| Research Field |
Study of the arts/History of the arts/Arts in general
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| Research Institution | Okinawa Prefectural University of Arts |
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Principal Investigator |
TAKASE Sumiko 沖縄県立芸術大学, 音楽学部, 准教授 (60304565)
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| Project Period (FY) |
2011 – 2013
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| Project Status |
Completed (Fiscal Year 2013)
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| Budget Amount *help |
¥780,000 (Direct Cost: ¥600,000、Indirect Cost: ¥180,000)
Fiscal Year 2013: ¥130,000 (Direct Cost: ¥100,000、Indirect Cost: ¥30,000)
Fiscal Year 2012: ¥390,000 (Direct Cost: ¥300,000、Indirect Cost: ¥90,000)
Fiscal Year 2011: ¥260,000 (Direct Cost: ¥200,000、Indirect Cost: ¥60,000)
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| Keywords | 音楽学 / 日本音楽史 / 雅楽 / 声明 |
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| Research Abstract |
The <<Kangen-ongi>> is a musical treatise written by Hokuzan-inrin-ryokin in Bunji 1 (1185). This study examines the music theory and ideas represented in four figures from the <<Kangen-ongi>>, based on an investigation into its historical sources. It finds that: (1) the four figures in the <<Kangen-ongi>> are similar to the Chinese Xuangongtu representing the system of modes, but are different in substance; and (2) one figure, "Hennon-rinten-zu,"* and its explanation are almost identical to descriptions of Hennon in <<Shomyo-kuden>> (by Daihibo Jakunin from the twelfth to thirteenth century). In this, we can see a possible relation to the Bugaku-hoe (Buddhist ritual accompanied by music and dance) at Shitennoji, which will need to be verified.
*The exact pronunciations for the Chinese characters in "Hennon" and other names are uncertain.
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